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Phortran
is Tom Dinchak, an up-and-coming electronic musician from
Phoenix, Arizona. With 4 solo releases on IVDT (and a
few with his amazing duo Bend,
Sinister), he has been one of our shining stars constantly
evolving from all angles. Now, in an attempt to get to
know him and his music a little better, we asked him the
following 12 questions.
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#1.
How & when did you start making music?
I
got started about 10 years ago I think, maybe longer, with
trackers. Scream Tracker was the very first piece of music
software I got into but I never did a whole lot with it.
The demo scene and musicians like Skaven and Purple Motion
were my first real inspirations to create music, but I hadn't
been exposed to much electronic music at that point, so
I mostly just fiddled around with ambient sound pieces and
never released anything. I eventually found MODPlug Tracker
and Rebirth and started working with these programs--at
the time there wasn't a whole lot of good software available,
and I remember spending entire nights trying to record my
rebirth songs with it's clunky interface. It didn't really
have a sequencer to speak of, you just had to hit record
and switch up your patterns in time and hope you don't mess
up. At some point I discovered Aphex Twin and it completely
changed my perspective on what electronic music could be.
Eventually reason came out and I started using that and
wrote my first ep, 'Sunday', using just Reason (probably
v1.0 at that point in time). I eventually moved on to Cubase
and finally to Ableton Live, which I use today for pretty
much everything.
#2. How would you explain the Phortran sound?
It's
hard to nail down the sound, as it's really changed a lot
over the years as I've learned more and heard more music.
I write music that I enjoy first and foremost--if I'm not
feeling it then I can't bring myself to finish it, and I'll
scrap it. I enjoy all kinds of music, but over the past
few years I've been really into a kind of jazzy idm sound.
I've developed a serious rhodes habit that I need to break
myself out of, but I just love the sound of it so much.
#3. What does your music studio setup consist of?
Laptop
- Asus S96j, Dual Core, 2.0ghz w/ 2gb ram
Ableton 7 + vsts/vstis
M-Audio ProjectMix I/O
Machinedrum UW Mk1
Access Virus A
Monome 40h (the original with the aluminum casing)
various midi controllers: UC-33, MPD16, misc. midi keyboards
Alesis Mk1 Active Monitors

#4. What piece of software/hardware in the Phortran
arsenal can you absolutely not live without?
Ableton
is pretty high on the list, but I could get by with Cubase
if necessary. The Machinedrum is pretty high up there too--I
absolutely love the sound of the Machinedrum and have invested
quite a bit of time incorporating it into my workflow with
custom Max/Msp patches that interface it with the Monome;
but the one piece I could absolutely not live without is
the laptop.
#5. What is the typical process in creating a Phortran
tune?
Most
of the time I'll start with a synth patch and play around
with it on a keyboard. I'll make a 4 bar loop or so and
start from there. Next, I'll layer on drums generally, and
then bass and pads/atmospheric sounds. Once I've got a nice
"4-bar wonder" going I'll start to expand it into
8 or 16 bars by copy/pasting and making changes. From there
I'll start experimenting with other ideas around the same
set of sounds. I might make a new beat with the original
drum kit and a new main synth line/bass line, and possibly
find other instruments to layer around it or reuse the existing
ones. Once I have about 3 distinct parts or so I'll start
to map out the song structure and leave room for intros,
outros, bridges, fills, etc. at this point I probably have
a part that plays through at the beginning of the song and
comes back later on. I'll try to add additional layers or
make small adjustments to the drum/synth patterns when it
comes back to give it a little push forward, so it doesn't
get too repetitive but it maintains a consistent feel. One
of the last things I'll do is add in the details--fills,
transitions, small variations in synth lines or drum patterns,
etc. I generally switch off between working on the structure
and working on the mix and details of the sounds (maybe
applying some compression to the drums, or a hp filter on
a synth part to remove the lows) as I go along.
#6. Can you share a production tip or trick?
Never
underestimate the power of the random button. I've hit upon
so many great sounds but just messing with randomizers that
I never would've programmed myself in a million years. It
takes some understanding of sound synthesis to really make
good use of it--generally if I find a great sound by randomizing
settings it's not perfect and I'll need to tweak it a bit
to get it to sound how I like, but it's a wonderful starting
point--much better than going through presets I think. One
method I used to generate a lot of great sounds was to setup
three Reaktor instances in Ableton and route their outputs
to separate audio tracks. I loaded up Krypt, Metaphysical
Function and Skrewell, and modified them where needed to
send in a midi note to trigger the randomize functions on
each of them. I used midi clips to trigger the random feature
every four bars and recorded the output. The result is an
unlimited amount of 4-bar drum sequences and sounds from
Metaphysical and Skrewell. I would then take my favorite
4-bar Krypt recordings and slice them up with Sound Forge
into individual sounds and load the individual sounds I
liked into Battery to sequence out drum loops. The Max patch
I developed to interface the Monome with the Machinedrum
works on similar concepts but is more performance-oriented
and offers lots of great real-time control features. Using
this setup I'll generally record 100+ bars out of Machinedrum
by essentially 'jamming' on the Monome, which I'll then
cut up into smaller phrases and sequence. The virus also
has a great random patch feature that I've used to come
up with some wonderful sounds, sometimes it even sets parameters
to illegal values which generally results in some wildly
unique sounds.
#7. How's Bend, Sinister been?
Bend,
Sinister is currently on hold while we work on different
projects. I've been trying to focus more on Phortran and
a few other collaborations I'm getting involved in, and
Justin has since joined a band called Cardiac
Party (who are really good btw and definitely worth
checking out). I'm actually back in touch with Tony from
the Chemical Sky project and am involved in a larger collaborative
effort he's putting together right now. I don't want to
say too much about it right now but I'm really excited to
get to work on that. I highly recommend checking out his
band as well, Attack
of the Giant Squid, they're amazing. They have some
great videos on Youtube.

#8. What's going on with Post-Digital?
Too
many projects and not enough time, I suppose. I plan on
reviving it someday but for the time being we're not releasing
any new music. I'm working on rewriting and redesigning
the site but it's hard to balance that with everything else
I want to do. I also do web site development professionally
so it's hard to find the motivation to work on it as I'm
doing web development all day long. I do pick it up every
month or so and work on it a bit, but I don't know when
it'll be revived at this point. I'm trying to focus more
on writing music these days when I have spare time. Someday.
#9. What are some of the things you enjoy doing besides
making music?
I
spend a lot of time with my girlfriend whom I adore, and
I'm a video game fanatic, I'll admit it. I've really been
enjoying the Guitar Hero and Rock Band games recently. Besides
that it's movies, seeing friends, going to shows, etc. Pretty
normal stuff, nothing too exciting.
#10. What is the typical weekend for Phortran like?
Usually
pretty relaxed and laid back. I'm not one for going out
much but I do like to catch a show here and there. Most
of my music writing happens during the weekend because it's
really the only time I can dedicate large blocks of time
to doing it. I've also been trying to learn to play guitar
and bass in my spare time.
#11. For those living in or visiting the Phoenix, AZ
area, where are the best places to buy music or see a live
show or hear a dj spin?
Honestly
I don't buy a lot of music at record shops anymore but when
I did I always found interesting things at Zia Records,
Stinkweeds, and Eastside Records. I think Stinkweeds is
closed now though. I'm not big on going to clubs or big
shows but I really enjoy the Thru
The Wires series of shows. They bring out some really
amazing acts and the shows are always lots of fun. Mesa
Arts Center's sound in the Ground Series is also really
good. There's actually a pretty big local music scene in
Phoenix and I enjoy seeing local bands play once in awhile.
#12. And finally, the staple last question, Where, in
the Phoenix, AZ area (or actually anywhere in the world),
are some not-to-be-missed restaurants that people should
be aware of?
Some
of my favorites are:
Pita
House in Old Town Scottsdale -- best hummus and gyros around
(imho)
Los Sombreros in South Scottsdale -- great authentic mexican
food, best bowl of tortilla soup i've ever had
Fate in downtown Phoenix -- tiny little chinese food place,
but very unique and tasty recipes
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More
information on Phortran & his music can be found at: http://myspace.com/phortran
& http://phortran.ivdt.net
Also,
don't forget to check out: Bend,
Sinister & Post-Digital |